CZ | EN
aktualita The Written Face28|01|2012 - 28|01|2012
Uppsala Art Museum

Milos Sejn's performance as a part of opening ceremony - VISCERAL SPACE
SU-EN Butoh Company 20-year anniversary party and opening of exhibition
Solo
GENVS CANTORI / Cantere Family History - Dedicated to Gregor Johann Mendel
12.08.2010 - 30.09.2010 | Mendelovo muzeum genetiky v Brně / The Mendel Museum of Genetics in Brno, CZ

Temporary installation of Miloš Šejn's philosophy of plants like a relationship between the human history and nature.
Curated by Pavel Hayek


The permanent exhibiton: Gregor Johann Mendel - Man, Abbot and Scientist
The exhibition is held under the auspices of the rector of Masaryk University prof. PhDr. Petr Fiala, Ph. D and the Abbot of the Old Brno Abbey ThDr. et Ing. Lukáš Evžen Martinec, OSA
Mendel Museum of Masaryk University has prepared an official opening of a new permanent exhibition for its visitors. The year of the opening, 2009, is very important. It is 125 years from Mendel’s death and 90 years from establishment of Masaryk University, the museum’s founder. The unique exhibition is about the most famous Czech person worldwide, which is without any doubt Mendel.
The exhibition is presenting Mendel in an authentic place of Augustinian Abbey in Old Brno as a complex person, which had not moved only in boundaries of cultivation, but in a lot of lines of work.

Opening hours:
April - October
Tuesday - Sunday 10am - 6pm
November - March
Tuesday - Sunday 10am - 5pm
(on Monday on reservation)

Informations:
Call +42 543 42 40 43 for reservations and details.
tel +420 543 424 043
tel, fax +420 543 332 075
email: info@mendelmuseum.muni.cz

Masarykova univerzita - Mendelovo muzeum
Opatství Staré Brno Řádu sv. Augustina
Mendlovo náměstí 1a
603 00 Brno
Czech republic


The Mendl Museum of Genetics
Gregor Johann Mendel


 
ATT VARA LANDSKAP – Tillägnad Carl von Linné / BEING LANDSCAPE – Dedicated to Carolus Linnaeus
15.06.2010 - 29.08.2010 | Uppsala Art Museum

Performance Installation
curated by SU-EN and Elisabeth Fagerstedt

Opening hours:
Tue-Fri  12-4 pm, 
Sat–Sun 12-4.30 pm. Mondays closed.

Informations:
Telephone: +46 (0) 18-727 24 82 (reception)
Fax: +46 (0) 18-727 06 50
E-mail: konstmuseum@uppsala.se

Uppsala konstmuseum
Drottnings Christinas väg 1E
SE-752 37 Uppsala, Sweden


www.uppsala.se/konstmuseum



more
 

 
MILOŠ ŠEJN / BEING LANDSCAPE
25.03.2010 - 06.06.2010 | West Bohemian Gallery in Pilsen

curated by Ladislav Kesner ml.

info:
po    closed
Tu–Su   10.00–18.00
Tel.: +420 377 908 511
e-mail: info@zpc-galerie.cz

West Bohemian Gallery in Pilsen
Výstavní síň Masné krámy
Pražská 18, 301 00 Plzeň
Czech Republic

http://www.zpc-galerie.cz/
more



 
TERRA FELIX VISIONES
Ideas for Albrechtus Wallenstein's Jičín by Miloš Šejn and Petr Uličný
8.11.2009  - 22.11.2009 | Regional Museum and Gallery in Jičín

curated by Osamu Okamura

info:
Tel: +420-493 532 204
E-mail: muzeumhry@centrum.cz
July - August: 9 - 18:30
September - January: 9 - 17
February: 10 - 16
March - June: 9 - 17
From September till June it is closed on Monday.

Regional Museum and Gallery in Jičín
Valdštejnovo náměstí 1
506 01 Jičín
Czech Republic

http://www.muzeumhry.cz/
more




Introducing of the exhibition on-line by Osamu Okamura

Group
Arteast 2000+ Collection / Selection of Works from the National Collection / Museum of Affects
26.11.2011 - 29.01.2012 | Museum of Contemporary Art Metelkova, Ljubljana, Slovenia

Moderna galerija keeps the national collection of 20th and 21st century Slovene art and the international collection Arteast 2000+. The national collection presents the basic stages in the development of the Slovene tradition of modern and contemporary art from the beginning of the 20th century onwards. The international collection Arteast 2000+ is based on dialogue between the East and the West, and presents a series of important artists from Eastern Europe who had been unknown or overlooked for a long time. The Arteast 2000+ Collection is primarily concerned with the Eastern European conceptual tradition; founded in 2000, this was generally the first-ever collection of Eastern European neo-avant-garde art. The works for exchange, which will make part of the three major exhibitions will include (among others): Marina Abramović, Jury Albert, Jury Avvakumov, Miroslav Bałka, Jerzy Bereś, Geta Brătescu, Alexander Brenner, Carlfriedrich Claus, Braco Dimitrijević, Stanisław Dróżdż, Róza El-Hassan, Miklós Erdély, Stano Filko, Vadim Fishkin, Gorgona, Tomislav Gotovac (Antonio LAUER), Dmitry Gutov, Jusuf Hadžifejzović, Tibor Hajas, Sanja Iveković, Ilya Kabakov, Julije Knifer, Milan Knížák, Alexandr Kosolapov, Katarzyna Kozyra, Ivan Kožarić, Zofia Kulik, Vladimir Kuprijanov, KwieKulik (Przemysław Kwiek & Zofia Kulik), Yuri Leiderman, Via Lewandowsky, Natalia LL, Kazimir Malevich, Mangelos, Vlado Martek, Dalibor Martinis, Karel Miler, Jan Mlčoch, Alex Mlynárčik, Andrey Monastyrski, Oliver Musovik, Paul Neagu, Anatoly Osmolovsky, Adrian Paci, Dan Perjovschi, Amalia Perjovschi, Goran Petercol, Dmitry Prigov, Guia Rigvava, Józef Robakowski, Nedko Solakov, Mladen Stilinović, subREAL, Miloš Šejn, Nebojša Šerić-Šoba, Ilja Šoškić, Petr Štembera, Raša Todosijević, Slaven Tolj, Milica Tomić, Endre Tót, Goran Trbuljak, Josip Vaništa, Konstantin Zvezdochiotov.
internacionala


Work of Milos Sejn: Touched The Grass..., 30.7.1967



The Museum of Contemporary Art Metelkova is opening Saturday, 26 November 2011, at 8 p.m.

Starting in the end of this November, Moderna galerija will operate at two separate locations: the Museum of Modern Art will carry on in the existing building in the city center of Ljubljana and the Museum of Contemporary Art in the renovated army barracks building in the new cultural quarter in Metelkova Street.

The new Museum of Contemporary Art Metelkova will house the pioneering collection of Eastern European art Arteast 2000+, devoted to postwar avant-gardes from the 1960s to the present, and a selection of works from Moderna galerija’s national collection.
The Museum of Contemporary Art Metelkova derives its specificity not only from its geopolitical and cultural position, but also from its orientation which questions hegemonic history through a multiplicity of narratives, heterogeneous approaches to historicizing, resonance between the urgencies of different localities, and reciprocal methods of learning.
In addition to the new permanent display of works from the Arteast 2000+ and national collections, the Museum of Contemporary Art Metelkova will open with the exhibition Museum of Affects, which is part of a long-term research project of the network L’Internationale*. This exhibition attempts to rethink formal methodologies of academic art history and proposes instead to interpret a selection of artworks from the period between 1956 and 1986 from the collections of Moderna galerija, Ljubljana, M HKA, Antwerp, MACBA, Barcelona, and Van Abbemuseum, Eindhoven as intensities or affects, emphasizing their performative rather than representational character.

The first L’Internationale exhibition Museum of Parallel Narratives is on view until 2 October 2011 in MACBA Barcelona, www.macba.cat; the third one Spirits of Internationalism, in M HKA Antwerp and Van Abbemuseum Eindhoven, will be staged in January 2012.

The founding partners of L’Internationale are the Moderna galerija, Ljubljana, the Július Koller Society, Bratislava, the Museu d’Art Contemporani de Barcelona (MACBA), Barcelona, the Van Abbemuseum, Eindhoven, and the Museum van Hedendaagse Kunst (M HKA), Antwerp.
internacionala.mg-lj.si

Moderna galerija, Tomšičeva 14, Ljubljana, Slovenia, +38612416800, www.mg-lj.si, info@mg-lj.si
www.mg-lj.si

 
Finally Together
07.09.2011 - 14.10.2011 | Galerie Emila Filly & Galerie Armaturka

Exhibition mapping the contemporary independent gallery scene in the Czech Republic.

Artists: Matej Al-Ali, Peter Barényi, Jana Bernartová, CZAKRA, Aleš Cermák, Veronika Danhelová, Noam Darom, Dávid Demjanovic, Daniela Deutelbaumová, Petr Dub, Vojtech Fröhlich, Isabela Grosseová, Pavel Havrda, Helena Hladilová, Martin Hrubý, Matyáš Chochola, Thorarinn Ingi Jonsson, Miroslav Kohút, Jirí Maha, Vojtech Marek, Silvie Milková, Jarmila Mitríková, Tomáš Moravec, Filip Nerad, Katerina Olivová, Yumiko Ono, Ludek Prošek, Alexander Puškin, Michal Pustejovský, Tereza Rullerová, Adéla Sobotková, Namsal Siedlecki, Adéla Svobodová, Miloš Šejn, Dagmar Šubrtová, Viktor Takác, Jirí Thýn, Martin Zet

Author of Action Galleries Project: Lenka Sýkorová
Curators: Lenka Sýkorová, Viktor Čech, Markéta Kubačáková

Works of Milos Sejn: Czech Landscape (With Milešovka Mount), from 1810 to 2011

Galerie Emila Filly
Galerie Armaturka

Galerie Emila Filly & Galerie Armaturka
SCHIFR-AC, s.r.o., Jateční 1588/49
Ústí nad Labem
Czech Republic
pdffinallytogether.pdf
 
GREEN
04.07.2011 - 01.08.2011 | GALERIE CALIFIA

Kristýna a Marek Milde, Norman Locks, Paul Hempstead, Miloš Šejn
Curator: Barbara Benish

Works of Milos Sejn: Devils Lake / Bohemian Forest 19. 5. 2011, Being The Javoří Brook / The Giant Mountains 27.7.2000, Grass 1967

GALERIE CALIFIA
Zámek
341 01 Horažďovice
Czech Republic
Tel:
+420 724 253 517
http://www.galeriecalifia.net

 
MAPS Artistic Cartography in the Centre of Europe 1960 - 2011
MAPY / MAPS I. Známe a neznáme / Known and Unknown
30.06.2011 - 28.08.2011 | Bratislava City Gallery
MAPY / MAPS II. Neznáme oblasti / Unknown Areas
14.06.2011 - 03. 09. 2011 Slovak National Gallery, Water Barraks, Cabinet of the 20. Century Art+

Curators: Daniela Čarná, Lucia Gregorová

Galéria mesta Bratislavy I Bratislava City Gallery
Mirbach palace
Františkánske nám. 11
815 35 Bratislava
Tel: 02/ 5443 2807

http://www.gmb.bratislava.sk/en/home

International exhibition project MAPY / MAPS explores art cartography from the 1960’s to today. The exhibition presents not only known, but also lesser known and never before displayed works by artists active in the 1960’s and 1970’s in the areas of conceptual art and land-art, in the 1980’s also in painting and photography, while the 1990s are reflected through neo-conceptual objects and installations. Selected works created by the youngest generation of artists often use maps and principles of mapping, networks, roads, thinking and research with the help of map as a metaphor for the very creation of their artwork. Over the past 50 years, map has become an important vehicle in art for sharing cultural meaning as a medium of utopian visions, mental archaeology, futuristic projects or even as a projection of territorial or political frustrations. The exhibition argues that in contemporary art, maps serve also as a reflection of discourse about the geopolitical space of Central Europe. In this art-historical sample, the exhibition follows “on the map” of works by more than 50 artists’ relationship to everyday reality, starting with the intersection of art and life in neo-avant-garde tendencies of the 1960s up to the forthright manifestation of life in art enabled by the new media.
The exhibition focuses on “mapping” interpretations and reflections of maps in the Slovak art scene in the juxtaposition of selected works by key artists in the Visegrad countries area: Czech Republic, Poland and Hungary. While it is composed chronologically, it also allows a layered reading through several themes present throughout the exhibition. Based on the exhibited material, we can trace ways of artistic thinking about borders, their limitations, forms of their free virtual crossing or re-defining in utopian projects, as well as through mental shifts in their transfer, scale changes or changes in positions of states and continents. They capture experience from a physical presence in the landscape and orientation in urban or natural terrain; on a metaphorical level, they portray subjective individual mythologies and the search for a lost paradise, mythical and newly discovered countries, or a shift to transcendency of cosmic space(s). Another layer of reading is provided by the catalog, designed as an atlas of artistic maps, which is accompanied by references to the rich field of critical reading of maps.
Exhibition MAPY / MAPS does not offer a simple orientation to the terrain of art. It invites the viewer to enter new worlds and through various strategies of using maps in art.

Artists: Milan Adamčiak, Gábor Attalai (H), Peter Bartoš, Juraj Bartusz, Erik Binder, Bálint Bori (H), Vladimír Boudník (CZ), David Černý (CZ), Anna Daučíková, Jiří David (CZ), Martin Derner, Ľubomír Ďurček, Stano Filko, Daniel Fischer, Juraj Gábor, György Galántai (H), IPUT / Tamás St.Ruby (H), Jozef Jankovič, Peter Kalmus, Michal Kern, Július Koller, Patrik Kovačovský, Marek Kvetán, Barbara Kozłowska (PL), Jarosław Kozłowski (PL), Otis Laubert, Lengow&Hermes, Milan Maur (CZ), Juraj Meliš, Milan Mikula, Svätopluk Mikyta, Alex Mlynárčik, Michal Murin, Ilona Németh, Miloš Novák, Boris Ondreička, Eduard Ovčáček (CZ), Štefan Papčo, Jan Pfeiffer (CZ), Sándor Pinczehelyi (H), Ludmiła Popiel (PL), Jerzy Rosołowicz (PL), Rudolf Sikora, Tomasz Sikorski (PL), Magda Stanová, Miloš Šejn, Dezider Tóth, Jaro Varga, Kamil Varga, Włodzimierz Jan Zakrzewski (PL)

Works of Milos Sejn:


Valeriana Roots, 14th July 1960


Cartography Studies, 1969

PEDESTRIAN MAPS
Miloš Šejn documents his trips into nature (and his attemps to unite with nature and react to its genius loci - "becoming a landscape") in various ways - from photo-documented performances to collecting and categorizing various natural materials. A map is a logical element here. In his work Roots of Valerian (1960), that implies a reference to discoveries and that fascination with nature typical of a child, he ritualistically placed roots of a medicinal plant used for insomnia on the top of a real map of Jičín.
In his journal entry-like Cartographic Studies (1969), he records his exploration of a landscape terrain into his own maps by layering and overlapping on transparencies,, while, in a spirit of Borghes' map, the scale used here is 1 : 1. In 1992 in collaboration with the Dutch choreographer Frank van de Ven, Miloš Šejn created project Bohemiae Rosa. In focuses on strengthening the relationship between body and landscape. Its title derives from the map created by carto-grapher Christoph Vetter for the historical opus by Bohuslav Balbín (1668). It bears the curious shape of a blooming rose growing from Vienna, which symbolizes the blossoming of a land.
Ectract from
MAPS / Known and Unknown by Daniela Čarná and Lucia Gregorová, Bratislava 2011

Performance
The Written Face
28.01.2012 | Uppsala Art Museum

As a part of VISCERAL SPACE
SU-EN Butoh Company 20-year anniversary party and opening of exhibition

SU-EN Butoh Company 1992 – 2012
celebrating 20 years of artistic activities!

This year SU-EN Butoh Company celebrates 20 years of artistic activities!
The company was founded in Tokyo in 1992, after SU-EN recieved her name from Tomoe Shizune & Hakutobo through the performance Kaze no Cho.

This will be manifested through an art exhibition at Uppsala Art Museum – Visceral Space. There will be several rooms that SU-EN and collaboration partners fill with installations based on some of the company´s major pieces and projects. Most welcome to the exhibition!
We also release a catalogue mapping the 20 years, designed by Gunnar H Stening. The catalogue is available for free and can be ordered by e-mail:
info@suenbutohcompany.net

January 28 – March 11, Visceral Space - exhibition at Uppsala Art Museum
Installations based on previous works SLICE, Scrap Bodies, Blush, Chicken Life and more. Collaboration partners for the exhibition is Skrotcentralen i Uppsala AB, Gunnar H Stening, Rickard Sporrong, Lee Berwick, (UK) Junichi Kakizaki (Japan), Fredrik Olofsson and Lise-Lotte Norelius.

Live events during the exhibition period:
January 28, 12 pm – OPENING 0F EXHIBITION, 15:00 opening speech, 16:00 Scrap Event outside the Art Museum, crane trucks and welders
February 18, Body Art performance installation in the SLICE room, with SU-EN
February 29, lecture artist talk by SU-EN and improvisation with Marie Gavois & Gustav Franklin
March 11, END, Blush action painting event, with SU-EN Butoh Company, 3 dancers and Lise-Lotte Norelius

www.uppsala.se/konstmuseum

 
VŠENÁPRAVA / PANORTHOSIA / UNIVERSAL REFORM
28.10.2011 | Trafo Gallery, Prague
OFF INTERSECTION [Quadriennale of Unqualified]

curator: Linda Mikolášková

Performance by David Helán & Miloš Šejn

„Welcome note learned, pious and noble womens and mens, LIGHTS OF EUROPE!“


Performance, which is an adaptation of the project Czech Shed into the Trafo Gallery space, gives an entertaining and easily understandable form, many important findings, affecting all of us.

Panorthosia (Universal Reform) is the essential theme of John Amos Comenius's famous „General Consultation on an Improvement of All Things Human".

Obecná porada má:
1. Úvod, v němž se vykládá, co navrhujeme: nazývá se PANEGERSIA, to jest Kniha o všeobecném probuzení
- Vlastní soustavu, v níž se ke všeobecné nápravě navrhují
2. Základ, Všeobecné světlo: PANAUGIA, Dílčí počiny: totiž uspořádání
3. všech VĚCÍ, dotud naprosto neuspořádaných: PANSOFIA (Všeobecná moudrost)
4. všeho SMÝŠLENÍ, dotud naprosto zmateného: PAMPAEDIA (Vševýchova)
5. všech JAZYKŮ, dotud naprosto změtených: PANGLOTTIA (Všemluva)
6. Završení, PANORTHOSIA (Všenáprava)
7. Zavírku, obsahující porůznu opakované podněty k věcem tak žádoucím, k nimž vidíme tak jasně odkryté cesty. Bude nazvána PANNUTHESIA, Kniha o všeobecném povzbuzování.
(Obdobnou trojiční strukturu má pak opět každá ze sedmi knih.)

De rerum humanarum emendatione consultatio catholica, 1666

TRAFAČKA / TRAFO GALLERY
Kurta Konráda 1 (vchod z ulice Českomoravská)
190 00, Praha 9
Otevřeno: út-ne | 13:00-19:00
email: trafacka@trafacka.net
Spojení: tramvají č. 3 zastávka Ocelářská, nebo z metra Českomoravská 200 m.
http://offintersection.tumblr.com/
http://www.trafacka.net/cs/
http://www.amanitasproduction.cz




 
Pellucens Oratio
18.09. 2011 | Školská 28 / Communication space, Prague

A performance in Words and Movements by Milos Sejn and Frank van de Ven

Two moving and speaking bodies meander from an old shed to a courtyard and roof garden under some very low clouds. Their dialogue oscillates between past and future stories engendering translucent moments of understanding in the present.

SUN, SEPTEMBER 18, 2011, 19:30
www.skolska28.cz

 
Maritus et Vxor Seinii
22.08.2011 | The Holy Spirit Church / Liběchov, CZ

Our thirty-fifth the coral (canvas) wedding anniversary we celebrated by the one-hour awake death.
Realized in the burial crypt of the Church of the Holy Spirit in Liběchov.

curated by Jan Trejbal & Marek Přikryl
photo: Jakub Geltner





http://www.kaplelibechov.cz
Wedding anniversary
Libechov Olympus


Special
On a different soil. Growth in art, society and culture
10.11. - 11.11.2011 | New Stage of National Theatre, Prague

An international conference, organized within the framework of the project TIK – Time Inventors’ Kabinet, and as an accompanying program of Science and Technology Week 2011

Thursday November 10
Utopia of the garden. Urban and rural gardens and today’s green utopias

Could one say that art degenerates as it approaches gardening? (Robert Smithson – A Sedimentation of the Mind: Earth Projects, 1968)

The aim of the conference is to look at the changing approaches to the soil, and the subjects of growth and growing in society, culture and art, in urban and rural contexts. At the same time, we try to challenge the simplyfiying concepts of nature and natural, as presented in the arts. It is often in the arts though, where the various influential phantasies concerning nature emerge.

We want to confront artistic approaches with views by ecologists, biologists, eco-activists, economists, non profit organizations and foundations, about subjects like: (city) gardening and agriculture, transformation of city flora and fauna, relationship between urban and rural, philosophies of the garden, sustainability of cities and villages, long-term growth in economics (participatory economics, economical de-growth, natural capitalism etc.).

Artists often comment on the dissolving of the natural, cultural, and technological. Artistic approaches are often used as a political tool in the praxis of transforming the environment. Can aesthetics play a key role in the process. How and for what purposes are the newly emerging green spaces used by artists? To what extend are visions of the cities-as-gardens and its inhabitants in the roles of gardeners, just another utopian phantasy? How do the actual city forms of gardening look like: green spaces with open access (open greens), guerilla gardening, rooftop or vertical gardens, (so called) beautifying alliances. How are the permacultural processes reflected in the city planning? What are the most inspiring models of ecological towns and villages?

Friday November 11
In the wind. Art of the ecological time

Discussions about ecological time, slow food, growth and de-growth. Presentation of art projects – artists as gardeners, beekeepers, fruiters, farmers, growers, mushroom pickers, cooks, herbalists, barometers and indicators of pollution…
yo-yo-yo.org


 
Bohemiae Rosa
10.09.2011 - 16.09.2011 | S i t e B o d y E x p l o r a t i o n
Bohemian Paradise - Hruba Skala - Czech Republic


International Interdisciplinary Open-Air Workshop for dancers and artists exploring the relation among body, art and landscape led by Frank van de Ven, Milos Sejn and guest teacher
Václav Cílek

Supported by Bohemiae Rosa Foundation - Ministery of Culture in Czech Republic - European geopark UNESCO Bohemian Paradise - Bohemian Paradise National Reserve

Since 1995 Milos Sejn and Frank van de Ven have co-operated in their bi-annual interdisciplinary open air Body-Site-Exploration projects in various National Reserves in the Czech Republic (Kokorin Valley, Plasy Monastery, Bohemian Karst, Bechyne Monastery with the Luznice River, Bohemian Paradise, Sumava Mountains and Krkonose Mountains) known as the Bohemiae Rosa Project. 

This 8th edition of the Bohemiae Rosa Project, which will take place in an area known from the end of 19th century as „Bohemian Paradise“, will evolve in the famous historical landscape with figurative rocks, caves, valleys, brooks, forests, groves and meadows. Walking and working in the Bohemian Paradise, we investigate the historical relation of Body and Landscape and its signification and relation to contemporary Performing Arts.

The program will include:
•    MB -(mind/body, muscles/bones) dance training
•    practice of and reflection on physical and mental training
•    walking and wandering, silent walk, pilgrimage and nocturnal journeys
•    various modes of experiencing body, movement and landscape
•    investigating divergent senses of space and time
•    peripatetic records, drawing, writing, immediate contact with surroundings
•    mental topography of a location, myth, archaic mind and genius loci
•    geology, archaeology and history of the Bohemian Paradise as a model of self: layers, vertical connections and labyrinths

An integral part of the workshop will be the individual artistic projects that participants are encouraged to formulate and work on for about 1 to 2 hours a day. (in the fields architecture, landscape art, dance, performance, photography, sculpture, theatre, visual arts, biology and natural history). The workshop leaders are available to guide and support these processes.

The body is a landscape in itself moving within the larger frame of the given surrounding environment. The vertical and horizontal layering of the (historical) landscape invites us to reflect upon our own layers and connections of self and imagination.

Participants profile: for artists and advanced students working in the fields of performance, dance, landscape art, sculpture, photography, architecture, theatre, visual arts, biology and natural history

www.bohemiaerosa.org


Amandine Meneau & Marta Pujol Quetglas - July 08


 
CHAPEL 2011
20.08.2011 - 22.08.2011 | Kaple Sv. Ducha / Liběchov

Oživení místa setkáním s názvem Kaple 2011 proběhne ve dvou fázích.
Nejprve dojde k vymalování a vyklizení prostor lodě kostela, kdy se za pomoci místních dobrovolníků kostel dostane do pozice ,,prázdné nerozbité nádoby“.
V druhé fázi dojde k naplnění sakrálního prostoru - nádoby tvůrčím duchem, za pomoci třídenního intenzivního setkání mladých architektů, výtvarných umělců a zvláště hudebníků.
Aktivace prostoru proběhne formou třídenní nepřetržité audio-vizuální performance, která bude vycházet z historických reálií na skalním ostrohu, stejně jako z topografie okolní krajiny.


Curated by Jan Trejbal & Marek Přikryl

Artists / Scientists / Writers: Adéla Součková, Adéla Taubelová, Aleš Čermák, ASSTMA - Jakš Filip, Barbora Šimonová, BBNU, Martin Janíček & Petr Ferenc, David Helán, Gustar, IUCH - Ida Čapounová, Jakub Geltner, Jan Kilián, Jan Trejbal, Ján Valík, Jana Doležalová, Janek Rous, Jaroslav Kosek, Josef Dudek, Josef Janáček, Katerina +, lunchmeat, Jiří Sádlo, Šárka Bínová, Magda Deverová, Martin Ptáčník, Matyáš Chochola, Michal Cáb, Erik Sikora, Michal Kuzemenský, Miloš Šejn, Věra Šejnová, Miloš Vojtěchovský, NE - I +, OPUKA, Petr Valer, radim radim, Tereza Varvařovská, Lucie Zikmundová, The Maja, Veronika, Veronika Bromová, Viktor Fuček, Viktor Takáč, ZWEI, Takáčová + Nováčková, Vítězslav Štajnochr, Anna Hábová, Barbora Simonová, Magda Deverová, Petr Valer, Pavel Humhal, Martin Ptáčník, Jsem ve Hvězdě, Wolf translucent

Works of Milos Sejn: Liběchov Olympus, Maritus et Vxor Seinii

http://www.kaplelibechov.cz



 
GRENZNAH
10.08.2011 - 20.08.2011 | Tummelplatz, Deutsch-Tschechisches Künstlersyposiums im Bayerischen Wald gewidmet dem Phänomen der Wildnis

Tummelplatz / Nationalpark Bayerischer Wald
www.nationalpark-bayerischer-wald.de




Bohemiae Rosa pointAcademy point

Miloš Šejn | Pod Lipami 906 | CZ-50601 Jičín | T +420 723 701 658 | F +420 233 381 662 |

ms@sejn.cz
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