Miloš Šejn | Českých Bratří 312 | CZ-50601 Jičín | T +420 723 701 658 | milos [at-sign] sejn.cz
AllForWeb | © 2008 sejn
MEMORY DEPOSIT06.03.2024 - 27.04.2024
KOR . KON . TOI . 0 0 1 – Miloš Šejn / Adriena Šimotová17.11.2023 - 28.04.2024
BECOMING GARDEN…17.09.2023 - 29.10.2023
Heraclitus principle / One hundred years of coal in Czech art16.06.2023 - 22.10.2023
SYMBIOSIS06.06.2023 - 23.06.2023
1 : 1 : 127.05.2023 - 25.08.2023
Wege in die Abstraktion im Dreiländereck II02.04.2023 - 28.05.2023
BIRTHDAY16.12.2022 - 19.02.2023
MY WIFE/S SOUL16.11.2022 - 17.12.2022
Face for SU–EN22.10.2022 - 22.10.2022
RAVINES AND GARDENS05.10.2022 - 05.11.2022
Valoch & Valoch / Archeology And Conceptual Art30.09.2022 - 27.08.2023
Wege in die Abstraktion im Dreiländereck02.07.2022 - 25.09.2022
AQVA15.04.2022 - 04.09.2022
KINETISMUS: 100 Years of Electricity in Art22.02.2022 - 29.08.2022
EMERGENCY EXIT03.12.2021 - 11.09.2022
MAN IN THE CAVE24.11.2021 - 06.02.2022
ÍHMNÍ30.09.2021 - 28.11.2021
SEMI-OPEN29.09.2021 - 28.11.2021
Prague Biennale 2021 / Re-connect Art03.09.2021 - 07.09.2021
Zdzisław Jurkiewicz. Occurrences25.06.2021 - 21.10.2021
Art Safari 36: TOGETHER05.06.2021 - 11.06.2021
ART, MELANCHOLY AND LAUGH FACES IN THE FACE OF ABSURDITY22.05.2021 - 03.10.2021
KRAJINA + / LANDSCAPE +14.05.2021 - 25.07.2021
WATER18.12.2020 - 06.06.2021
ATLAS NEW CONSTELLATIONS05.12.2020 - 30.05.2021
FOR THE LAST FIFTY YEARS27.11.2020 - 01.10.2023
PILGRIMAGE TO THE MOUNTAINS27.10.2020 - 08.11.2020
Fotograph Festival #X UNEVEN GROUND07.10.2020 - 07.11.2020
Í T H M N29.09.2020 - 31.01.2021
Table and Territory / Table et Territoire26.09.2020 - 27.09.2020
Looking Into The Window19.09.2020 - 31.12.2020
A Pilgrim Who Returns
15.09.2020 - 31.10.2020
Gočár Phenomenon03.09.2020 - 31.10.2020
ART SAFARI 35 – HYDRANT27.06.2020 - 28.06.2020
24h PERFORMANCE14.06.2020 - 15.06.2020
Through the Landscape of K. H. Mácha04.06.2020 - 06.09.2020
NMHTÍ12.05.2020 - 24.06.2020
IDENTITY23.03.2020 - 31.12.2021
Homeplace & Kunka Phenomenon04.03.2020 - 31.07.2020
↗ ASCENT ↙ DESCENT / performance art event23.02.2020 - 23.02.2020
Parallel cinema / Stream, Tree and Stone03.02.2020 - 04.02.2020
Ji.hlava24.10.2019 - 29.10.2019
TRA DUE MONDI16.10.2019 - 16.10.2019
Pilgrims, Refugees, Hermits11.09.2019 - 28.10.2019
The Naked Forms Festival (FNAF)06.09.2019 - 08.09.2019
Sounds / Codes / Images - Audio Experimentation in the Visual Arts06.06.2019 - 10.10.2019
rivers, streams, puddles04.06.2019 - 24.06.2019
IL SORRISO DEL LEONE / VENICE TELEPATHIC BODIES01.06.2019 - 24.11.2019
Performance Crossings 201915.05.2019 - 18.05.2019
THEATRUM MUNDI III27.04.2019 - 27.04.2019
AQVA MUO26.04.2019 - 28.05.2019
Early Manifestations of Action Art in East Bohemia26.04.2019 - 16.06.2019
Yellow Rose Fragrance27.03.2019 - 16.06.2019
WÄRMFLASCHE14.12.2018 - 15.12.2018
ART SPACE ECOLOGY15.10.2018 - 31.12.2020
Architecture and Senses12.10.2018 - 14.10.2018
THEATRUM MUNDI II22.09.2018 - 22.09.2018
OPERA CORCONTICA04.09.2018 - 09.10.2018
PRAGUE WILDERNESS – LANDSCAPE FESTIVAL PRAGUE 201821.06.2018 - 30.09.2018
Energy of the initial line – gesture, rhythm, movement in contemporary Czech art01.03.2018 - 28.05.2018
IMAGE / BODY / SOUND27.11.2017 - 27.11.2020
EVERY WANDERING ENDS IN THE BEGINNING13.11.2017 - 13.11.2017
(Post)Land Art and the Anthropocene06.11.2017 - 06.11.2017
CS CONCEPTUAL ART OF THE 70s11.10.2017 - 13.01.2018
SONIC SOLAR MOUNTAIN26.08.2017 - 26.08.2017
Bohemiae Rosa25.08.2017 - 31.08.2017
HOW TO EXPLAIN IMAGES TO AN INVISIBLE INTERSPACE02.08.2017 - 10.08.2017
LAPSody 2017 – The Bubble24.05.2017 - 27.05.2017
ALCHEMIC BODY | FIRE . AIR . WATER . EARTH21.04.2017 - 29.05.2017
LIQUID ROOMS / THE LABYRINTH10.02.2017 - 28.02.2017
LANDSCAPE20.12.2016 - 12.02.2017
The Landscape, Art and Photography | Contemporary Artworks in the Landscape01.11.2016 - 12.01.2017
Branches | Nature art – variations26.07.2016 - 16.10.2016
AGARA / Hommage à la Peinture04.04.2016 - 31.05.2016
SPEECH MELODIES19.11.2015 - 08.01.2016
SELÉNÉ / BECOMING A LUNAR FACE TELEPATHICALLY28.09.2015 - 28.09.2015
FACIALITY05.09.2015 - 05.09.2015
SOLAR MOUNTAIN20.09.2014 - 09.09.9999
MICHALEK / ŠEIN27.11.2013 - 12.01.2014
IL SORRISO DEL LEONE01.06.2013 - 24.11.2013
FACIALITY / Space of the Memory and an Immediate Space23.10.2012 - 24.10.2012
Faces / Face as the phenomenon in videoart20.06.2012 - 16.09.2012
ARCHIVES & CABINETS14.06.2012 - 02.09.2012
The Written Face for SU-EN28.01.2012 - 28.01.2012
Finally Together07.09.2011 - 14.10.2011
B/L – Dedicated to Carolus Linnaeus15.06.2010 - 29.08.2010
BEING LANDSCAPE25.03.2010 - 06.06.2010
Gardening10.03.2009 - 13.03.2009
Cartusiae Waldiczensis29.11.2008 - 01.03.2009
LANDSCAPE UNDER TOTALITARIAN16.09.2008 - 30.11.2008
BEING LANDSCAPE
Západočeská galerie v Plzni / West Bohemian Gallery in Pilsen
Since the late 1960s Miloš Šejn has been consciously trying to transform his impressions of nature into a form that could be described as art. The first part of the exhibition recapitulates – by way of an edited capsule of his early body art – the artist’s walking, meandering, body contacts, rituals and meditations which often occurred in caves and gorges, as a reaction to the space, morphology and the perceived forces of the site. The environment of caves and rock labyrinths inspired Šejn to create a series of unique fire drawings (in particular Delimitation of the Space by Fire in the Mažarná cave in Velká Fatra mountains, Slovakia, July 1982). The photographs capture the artist’s exploration of the cave using the medium of light – a lit torch – which he carried through the underground labyrinth.
In mid-1990s, Šejn’s work was significantly influenced by his encounter with the Body Weather method, developed by the famous Japanese dancer Min Tanaka – in part as a reaction to the techniques of the butoh dance. Video performances and the simultaneously taken colour photographs from the last fifteen years, that make up the focus of the exhibition, represent Šejn’s newly found emphasis on the transformation of transient sculptures into permanent audio and video recordings of the body – aesthetic artefacts. They are not just a record of communication of the body/mind with nature and the landscape, but also a continual validation of ways how to translate such fleeting encounters into a permanent, aesthetically consequential art form.
The recordings of the author’s body art open new vistas of the moments of touching, blending and permeation of the body and the landscape. The most recent work shows this tendency along two lines: some photographs depict Šejn’s body sculptures set in the bezel of a broader landscape; others, on the other hand, are images fixing the moments of micro-integration of the body and the landscape. The ephemeral, seemingly trivial moments the existence of which one hardly realises in the flow of various doing, but which are the fundament of Šejn’s touching and interfusing of the body with the earth, water and air. Photography and video recordings of performances are accompanies by a selection of stones and other natural materials collected by the author during his rambling and staying in nature.
Západočeská galerie v Plzni / West Bohemian Gallery in Pilsen
25.03.2010 - 06.06.2010
Revealing a monumental exhibition Sejn's extensive conceptual work summarized by documentation in photographs, video and film forty years of the artist's work in the field of performance and body actions in natural terrain. From the idea of a "return to nature" to the body action, expressing deep personal relationship to the ground, it allowed to watch the fascinating records shaping contemporary visual language of new media. The artist's work combines contemporary natural science knowledge with the emotional and physical experience of the landscape and the immediate creativity. Visual expression as a bolt of rationality and sensitivity of an art message. Fascinating speech touching, physical sharing and compassion in interaction with elemental energy of matter and earth elements.
Věra Jirousová
27.12.2010
Six of the most remarkable exhibitions of 2010 / Journal Referendum
Milos Sejn works in the fields of visual art, performance and study of visual perception, and conducts workshops, such as Bohemiae Rosa. At present he teaches mixed media and the relationship of nature and art as intrinsic needs of the mind at the Academy of Fine Arts in Prague, and focuses on immediate creative possibilities, based upon the relationships between historical humanized landscapes and nature as a whole.
In his work, which takes the form of touch paintings, processual scrolls, books, as well as of body and land art, performance, video art and poetry, he captures and expresses his experience from communicating with nature and with the landscape, at the same time it captures aspects of nature and natural processes. The exhibition concentrates events and works in which the artist’s own body is used as the exclusive medium of expression and as a visual medium, and which can be preserved only in a video or audio form – on photographs, video or film.
Šejn’s work is rooted in an ingrained interest in nature that has demonstrated itself since his early childhood. At the beginning of the 1960s, when he was wandering in nature, he took photographs, drew, collected and labelled his observations of nature. The fundamental quality of Šejn’s work is the way he relates to nature: the fusion and permeation of the objective, cerebral, observational approach to the world of nature with the subjective, intensely physical and experiential. His artistic creation would have never acquired its uniqueness and depth if it had not been founded in the lifelong systemic observation and learning of nature and his deep knowledge of the processes that take place there.
Věra Jirousová
27.12.2010
Six of the most remarkable exhibitions of 2010 / Journal Referendum
Milos Sejn works in the fields of visual art, performance and study of visual perception, and conducts workshops, such as Bohemiae Rosa. At present he teaches mixed media and the relationship of nature and art as intrinsic needs of the mind at the Academy of Fine Arts in Prague, and focuses on immediate creative possibilities, based upon the relationships between historical humanized landscapes and nature as a whole.
In his work, which takes the form of touch paintings, processual scrolls, books, as well as of body and land art, performance, video art and poetry, he captures and expresses his experience from communicating with nature and with the landscape, at the same time it captures aspects of nature and natural processes. The exhibition concentrates events and works in which the artist’s own body is used as the exclusive medium of expression and as a visual medium, and which can be preserved only in a video or audio form – on photographs, video or film.
Šejn’s work is rooted in an ingrained interest in nature that has demonstrated itself since his early childhood. At the beginning of the 1960s, when he was wandering in nature, he took photographs, drew, collected and labelled his observations of nature. The fundamental quality of Šejn’s work is the way he relates to nature: the fusion and permeation of the objective, cerebral, observational approach to the world of nature with the subjective, intensely physical and experiential. His artistic creation would have never acquired its uniqueness and depth if it had not been founded in the lifelong systemic observation and learning of nature and his deep knowledge of the processes that take place there.
Since the late 1960s Miloš Šejn has been consciously trying to transform his impressions of nature into a form that could be described as art. The first part of the exhibition recapitulates – by way of an edited capsule of his early body art – the artist’s walking, meandering, body contacts, rituals and meditations which often occurred in caves and gorges, as a reaction to the space, morphology and the perceived forces of the site. The environment of caves and rock labyrinths inspired Šejn to create a series of unique fire drawings (in particular Delimitation of the Space by Fire in the Mažarná cave in Velká Fatra mountains, Slovakia, July 1982). The photographs capture the artist’s exploration of the cave using the medium of light – a lit torch – which he carried through the underground labyrinth.
In mid-1990s, Šejn’s work was significantly influenced by his encounter with the Body Weather method, developed by the famous Japanese dancer Min Tanaka – in part as a reaction to the techniques of the butoh dance. Video performances and the simultaneously taken colour photographs from the last fifteen years, that make up the focus of the exhibition, represent Šejn’s newly found emphasis on the transformation of transient sculptures into permanent audio and video recordings of the body – aesthetic artefacts. They are not just a record of communication of the body/mind with nature and the landscape, but also a continual validation of ways how to translate such fleeting encounters into a permanent, aesthetically consequential art form.
The recordings of the author’s body art open new vistas of the moments of touching, blending and permeation of the body and the landscape. The most recent work shows this tendency along two lines: some photographs depict Šejn’s body sculptures set in the bezel of a broader landscape; others, on the other hand, are images fixing the moments of micro-integration of the body and the landscape. The ephemeral, seemingly trivial moments the existence of which one hardly realises in the flow of various doing, but which are the fundament of Šejn’s touching and interfusing of the body with the earth, water and air. Photography and video recordings of performances are accompanies by a selection of stones and other natural materials collected by the author during his rambling and staying in nature.